The Papal Artifacts’ Collection is primarily dedicated to artifacts connected to the papacy. Individual popes, their biographies and multiple items belonging to them, including first and second class relics, make up the majority of this Collection. But that isn’t all it is.
Father Kunst has a deep devotion to the saints as can be readily seen in viewing the Saints & Blesseds section of this site. We invite you to visit Papal History/Saints & Blesseds to view the many canonized and beatified men and women who make up this section of the Collection.
Another category is also included with this Collection: Notable Individuals. These are people significantly associated with the Catholic Church who have not been canonized but contributed in outstanding ways to the church.
At present there are more than two dozen notable individuals in this part of the Collection, all with significant stories connected to the papacy.
We are featuring the architect, Carlo Maderno, today. He was responsible for the façade of St. Peter’s and therefore, one of its last architects.
The artifact is an undated letter from the architect, Carlo Maderno. He was responsible for the façade of St. Peter’s and therefore, one of the last architects.
Carlo Maderno, a Swiss-Italian architect, was born in Ticino in 1556, and is remembered as one of the fathers of Baroque architecture with his most important work being the facades of St. Peter’s Basilica, Santa Susanna and Sant’ Andrea della Valle. He began his career in the marble quarries and moved to Rome in 1588 with four of his brothers to assist his Uncle Domenico Fontana. He worked as a marble cutter. In 1596, he designed the facade of Santa Susanna, a project spanning six years. Wikipedia says the structure is a dynamic rhythm of columns and pilasters, with a protruding central bay.
Santa Susanna won the attention of Pope Paul V, who in 1603 appointed him chief architect of St. Peter’s. In this work he was forced to modify Michelangelo’s plans and provide designs for an extended nave with a palatial façade. When completed in 1612, it allowed for Papal blessings from the balcony above the central door. Although criticized for blocking the view of the dome when seen from the Piazza, he would not have been given as much freedom in the design of this building as in the others.
Most of his work continued to be the remodeling of existing structures. His masterpiece was Santa Maria della Vittoria, a work spanning the years 1608 – 1620.
A respected account of Carlo Maderno in English is Rudolf Wittkower’s, Art and Architecture in Italy, 1600 – 1750 (1958; 2nd ed. 1965.
Carlo Maderno died in Rome on January 30, 1629.